Groove

 

河瀬諭 (2020).「グルーヴとは何か」 ON-KEN SCOPE（連載） ヤマハ音楽研究所 [link]

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グルーヴの日本語版尺度​の論文を投稿しました。

Kawase, S., Okano, M., Bechtold, T., & Senn, O. (submitted).  

Japanese version of the Experience of Groove Questionnaire (EGQ-JA): Translation and Validation.

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​※グルーヴの研究が網羅されたレビュー論文です。

Etani, T., Miura, A., Kawase, S., Fujii, S., Keller, P.E., Vuust, P., & Kudo, K. (2024).

A review of psychological and neuroscientific research on musical groove.

Neuroscience & Biobehavioral Reviews  https://doi.org/10.1016/j.neubiorev.2023.105522 [link]

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Kawase, S. (2024). Positive Moods before Listening to Music Enhance Groove.  PsyArXiv. https://doi.org/10.31234/osf.io/nqv3k [link]

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Fukuie, T., Suwabe, K., Kawase, S., Shimizu, T., Ochi, G., Kuwamizu, R., Sakairi Y., & Soya, H. (2023). Groove rhythm enhances exercise impact on prefrontal cortex function in groove enjoyers. Neuroscience, Volume 531, 117-129.  https://doi.org/10.1016/j.neuroscience.2023.08.039 [link]

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Kawase, S. (2023). Is happier music groovier?: The influence of emotional characteristics of musical chord progressions on groove. Psychological Research  doi:10.1007/s00426-023-01869-x [link]　

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Fukuie, T., Suwabe K., Kawase, S., Shimizu, T., Ochi, G., Kuwamizu, R., Sakairi Y., & Soya, H. (2022). Groove rhythm stimulates prefrontal cortex function in groove enjoyers. Scientific Reports, 12, 7377 (2022). doi:https://doi.org/10.1038/s41598-022-11324-3　[link]

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Takahide Etani, Atsushi Marui, Satoshi Kawase, Peter Keller (2018).  Optimal tempo for groove: Its relation to directions of body movement and Japanese nori.   Frontiers in Psychology  doi:10.3389/fpsyg.2018.00462

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Fitch, W. (2016). Dance, music, meter and groove: a forgotten partnership.Frontiers in Human Neuroscience, 10, 64. 

 

Stupacher, J., Hove, M.J., & Janata, P. (2016). Audio features underlying perceived groove and sensorimotor synchronization in music. Music Perception

 

Ross, J. M., Warlaumont, A. S., Abney, D. H., Rigoli, L. M., & Balasubramaniam, R. (2016). Influence of Musical Groove on Postural Sway.Journal of experimental psychology. Human perception and performance.

 

Hellmer, K., & Madison, G. (2015). Quantifying microtiming patterning and variability in drum kit recordings: A method and some data. Music Perception: An Interdisciplinary Journal, Vol. 33, No. 2, pp.147-162

 

Danielsen, A., Waadeland, C. H., Sundt, H. G., & Witek, M. A. (2015). Effects of instructed timing and tempo on snare drum sound in drum kit performance. The Journal of the Acoustical Society of America, 138(4), 2301-2316.

 

Kilchenmann,L., Senn,O.(2015) Microtiming in Swing and Funk affects the body movement behavior of music expert listeners   Front. Psychol. | doi: 10.3389/fpsyg.2015.01232

 

Mcguiness, A. (2015). Modelling Microtiming Beat Variations with Pulse-Coupled Oscillators.

 

Hurley, B. K., Martens, P. A., & Janata, P. (2014). Spontaneous sensorimotor coupling with multipart music. Journal of Experimental Psychology: Human Perception and Performance, 40(4), 1679.

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Ashley, R. (2014). Expressiveness in Funk. Expressiveness in music performance: Empirical approaches across styles and cultures, 154.

 

Fabian, D., Timmers, R., & Schubert, E. (Eds.). (2014). Expressiveness in music performance: Empirical approaches across styles and cultures. Oxford University Press.

 

Leow, L. A., Parrott, T., & Grahn, J. A. (2014). Individual differences in beat perception affect gait responses to low-and high-groove music. Frontiers in Human Neuroscience, 8, 811.

 

Sioros, G., Miron, M., Davies, M., Gouyon, F., & Madison, G. (2014). Syncopation creates the sensation of groove in synthesized music examples.Auditory Cognitive Neuroscience, 5, 1036.

 

Madison, G. & Sioros, G. (2014). What musicians do to induce the sensation of groove in simple and complex melodies, and how listeners perceive it. Frontiers in Psychology, 5: 894.

 

Merker, B. (2014). Groove or swing as distributed rhythmic consonance: Introducing the groove matrix. Frontiers in Human Neuroscience, 8, 454.

 

Witek, M. A., Clarke, E. F., Wallentin, M., Kringelbach, M. L., & Vuust, P. (2014). Syncopation, Body-Movement and Pleasure in Groove Music. PloS one, 9(4), e94446.

 

Witek, M., Clarke, E. F., Wallentin, M., Kringelbach, M. L., & Vuust, P. (2014). Rhythmic complexity, body-movement and pleasure in groove music. PloS one.

 

Witek, M. A., Clarke, E. F., Kringelbach, M. L., & Vuust, P. (2014). Effects of Polyphonic Context, Instrumentation, and Metrical Location on Syncopation in Music. Music Perception: An Interdisciplinary Journal, 32(2), 201-217.

 

Stupacher, J., Hove, M. J., Novembre, G., Schütz-Bosbach, S., & Keller, P. E. (2013). Musical groove modulates motor cortex excitability: a TMS investigation. Brain and cognition, 82(2), 127-136.

 

Oliver, R. (2013). Groove as familiarity with time. In E. King & H. M. Prior (Eds.), Music and Familiarity: Listening, Musicology and Performance (pp. 239?252). Aldershot, UK: Ashgate.

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Frühauf, J., Kopiez, R., & Platz, F.(2013). Music on the timing grid: The influence of microtiming on the perceived groove quality of a simple drum pattern performance. Musicae Scientiae, 17(2), 246-260.

 

Davies, M., Madison, G., Silva, P., & Gouyon, F. (2013). The Effect of Microtiming Deviations on the Perception of Groove in Short Rhythms. Music Perception: An Interdisciplinary Journal, 30(5), 497-510.

 

Janata, P., Tomic, S. T., & Haberman, J. M. (2012). Sensorimotor coupling in music and the psychology of the groove. Journal of experimental psychology: general, 141(1), 54.

 

Ohya, Y., Nakamura, K., & Tokunaga, T. (2012)　Extraction of Groove Feelings from Drum Data using Non-Negative Matrix Factorization.

 

Madison, G., Gouyon, F., Ullén, F., & Hörnström, K. (2011). Modeling the tendency for music to induce movement in humans: first correlations with low-level audio descriptors across music genres. Journal of experimental psychology: human perception and performance, 37(5), 1578.

 

Kawase, S. and Eguchi, K. (2010). The Concepts and Acoustical Characteristics of 'Groove' in Japan. PopScriptum 11 - The Groove Issue, 1-45.

音楽学も含めたグルーヴ感（グルーヴ学）についての特集号（2010年発行）はこちら（PopScriptum11 - The Groove Issue）を参照。グルーヴ研究のさきがけであるCharles Keilも寄稿しています。

 

Witek, M. (2009). Groove Experience: Emotional and Physiological Responses to Groove-Based Music.

Benadon, F. (2009). Time warps in early jazz. Music Theory Spectrum, 31(1), 1-25.

 

Doffman, M. (2009). Making It Groove! Entrainment, Participation and Discrepancy in the'Conversation'of a Jazz Trio. Language & History, 52(1), 130-147.

 

Zagorski-Thomas, S. (2007, November). The study of groove. InEthnomusicology Forum (Vol. 16, No. 2, pp. 327-335). Taylor & Francis Group.

 

Madison, G. (2006). Experiencing groove induced by music: Consistency and phenomenology. Music Perception: An Interdisciplinary Journal, 24(2), 201-208.

 

Butterfield, M. W. (2006). The power of anacrusis: Engendered feeling in groove-based musics. Music Theory Online, 12(4).

 

McGuiness, A. (2005). Microtiming deviations in groove. Australian National University.

 

Zbikowski, L. M. (2004). Modelling the groove: Conceptual structure and popular music. Journal of the Royal Musical Association, 272-297.

 

Madison, G. (2003). Perception of jazz and other groove-based music as a function of tempo. In 5th triennial ESCOM conference, Hanover, Germany, 8-13 September (pp. 365-367). School of music and drama.

 

Iyer, V. (2002). Embodied mind, situated cognition, and expressive microtiming in African-American music. Music Perception, 19(3), 387-414.

 

Madison, G. (2001). Different kinds of groove in jazz and dance music as indicated by listeners' ratings. In International Symposium on Systematic and Comparative Musicology, August 16-19, Jyväskylä, Finland (pp. 108-112). University of Jyväskylä.

 

Charles Keil & Steven Feld，Music grooves : essays and dialogues，Chicago，University of Chicago Press，1994