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リズムの論文   

Trost, W., Labbé, C., & Grandjean, D. (2017). Rhythmic entrainment as a musical affect induction mechanism. Neuropsychologia.

Bégel, V., Benoit, C. E., Correa, A., Cutanda, D., Kotz, S. A., & Dalla Bella, S. (2016). “Lost in time” but still moving to the beat. Neuropsychologia.

Kohn, D., & Eitan, Z. (2016). Moving Music. Music Perception: An Interdisciplinary Journal, 34(1), 40-55.

Wilson, M., & Cook, P. F. (2016). Rhythmic entrainment: Why humans want to, fireflies can’t help it, pet birds try, and sea lions have to be bribed. Psychonomic bulletin & review, 1-13.

Stupacher, J., Witte, M., Hove, M. J., & Wood, G. (2016). Neural Entrainment in Drum Rhythms with Silent Breaks: Evidence from Steady-state Evoked and Event-related Potentials. Journal of Cognitive Neuroscience.

Nozaradan, S., Schönwiesner, M., Caron-Desrochers, L., & Lehmann, A. (2016). Enhanced brainstem and cortical encoding of sound during synchronized movement. NeuroImage.

Maria Panteli, Bruno Rocha, Niels Bogaards, Aline Honingh (2016). A model for rhythm and timbre similarity in electronic dance music. Musicae Scientiae

Coey, C. A., Washburn, A., Hassebrock, J., & Richardson, M. J. (2016). Complexity matching effects in bimanual and interpersonal syncopated finger tapping. Neuroscience letters, 616, 204-210.

 

Large, E. W., Herrera, J. A., & Velasco, M. J. (2015). Neural Networks for Beat Perception in Musical Rhythm. Frontiers in systems neuroscience, 9.

 

Miura, A., Fujii, S., Yamamoto, Y., & Kudo, K. (2015). Motor Control of Rhythmic Dance from a Dynamical Systems Perspective: A Review. Journal of Dance Medicine & Science, 19(1), 11-21.

 

Wesolowski, B. C. (2015). A facet-factorial approach towards the development and validation of a jazz rhythm section performance rating scale. International Journal of Music Education, 0255761415590524.

 

Todd, N. P., & Lee, C. S. (2015). The sensory-motor theory of rhythm and beat induction 20 years on: A new synthesis and future perspectives. Frontiers in Human Neuroscience, 9, 444.

 

Hove, M. J., Stelzer, J., Nierhaus, T., Thiel, S. D., Gundlach, C., Margulies, D. S., ... & Merker, B. (2015). Brain Network Reconfiguration and Perceptual Decoupling During an Absorptive State of Consciousness. Cerebral Cortex, bhv137.

 

Hickok, G., Farahbod, H., & Saberi, K. (2015). The Rhythm of Perception Entrainment to Acoustic Rhythms Induces Subsequent Perceptual Oscillation.Psychological Science, 0956797615576533.

 

Danielsen, A., Haugen, M. R., & Jensenius, A. R. (2015). Moving to the Beat: Studying Entrainment to Micro-Rhythmic Changes in Pulse by Motion Capture.

 

Manning, F. C., & Schutz, M. (2015). Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionists.Psychological research, 1-11.

 

Schaefer, R. S., & Overy, K. (2015). Motor responses to a steady beat. Annals of the New York Academy of Sciences, 1337(1), 40-44.

 

Leow, L. A., Rinchon, C., & Grahn, J. (2015). Familiarity with music increases walking speed in rhythmic auditory cuing. Annals of the New York Academy of Sciences, 1337(1), 53-61.

 

Wesolowski, B. C. (2015). Assessing Jazz Big Band Performance: The Development, Validation, and Application of a Facet-Factorial Rating Scale. Psychology of Music.

 

Honing, H., ten Cate, C., Peretz, I., & Trehub, S. E. (2015). Without it no music: cognition, biology and evolution of musicality. Philosophical Transactions of the Royal Society B: Biological Sciences, 370(1664), 20140088.

 

Trainor, L. J. (2015). The origins of music in auditory scene analysis and the roles of evolution and culture in musical creation. Philosophical Transactions of the Royal Society of London B: Biological Sciences, 370(1664), 20140089.

Merchant, H., Grahn, J., Trainor, L., Rohrmeier, M., & Fitch, W. T. (2015). Finding the beat: a neural perspective across humans and non-human primates. Phil. Trans. R. Soc. B, 370(1664), 20140093.

Honing, H., Bouwer, F. L., & Háden, G. P. (2014). Perceiving temporal regularity in music: The role of auditory event-related potentials (ERPs) in probing beat perception. Neurobiology of interval timing, 305-323.

 

Getz, L. M., Barton, S., & Kubovy, M. (2014). The specificity of expertise: For whom is the clave pattern the “key” to salsa music?. Acta psychologica, 152, 56-66.

 

Palmer, C., Lidji, P., & Peretz, I. (2014). Losing the beat: deficits in temporal coordination. Philosophical Transactions of the Royal Society of London B: Biological Sciences, 369(1658), 20130405.

 

Trost, W., Frühholz, S., Schön, D., Labbé, C., Pichon, S., Grandjean, D., & Vuilleumier, P. (2014). Getting the beat: Entrainment of brain activity by musical rhythm and pleasantness. NeuroImage, 103, 55-64.

 

Herdener, M., Humbel, T., Esposito, F., Habermeyer, B., Cattapan-Ludewig, K., & Seifritz, E. (2014). Jazz drummers recruit language-specific areas for the processing of rhythmic structure. Cerebral Cortex, 24(3), 836-843.

 

Hove, M. J., Marie, C., Bruce, I. C., & Trainor, L. J. (2014). Superior time perception for lower musical pitch explains why bass-ranged instruments lay down musical rhythms. Proceedings of the National Academy of Sciences,111(28), 10383-10388.

 

Hove, M. J., & Schwartze, M. (2014). Deconstructing the ability to move to a beat. The Journal of Neuroscience, 34(7), 2403.

 

Vuust, P., Gebauer, L. K., & Witek, M. A. (2014). Neural Underpinnings of Music: The Polyrhythmic Brain. Neurobiology of Interval Timing, 339-356.

 

Vuust, P., & Witek, M. A. (2014). Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and meter perception in music. Auditory Cognitive Neuroscience, 5, 1111.

 

Hurley, B. K., Martens, P. A., & Janata, P. (2014). Spontaneous sensorimotor coupling with multipart music. Journal of Experimental Psychology: Human Perception and Performance, 40(4), 1679.

 

Danielsen, A., Otnaess, M. K., Jensen, J., Williams, S. C. R., & Østberg, B. C. (2014). Investigating repetition and change in musical rhythm by functional MRI.Neuroscience, 275, 469-476.

 

Michaelis, K., Wiener, M., & Thompson, J. C. (2014). Passive listening to preferred motor tempo modulates corticospinal excitability. Frontiers in human neuroscience, 8.

 

Polak, R., & London, J. (2014). Timing and Meter in Mande Drumming from Mali. Music Theory Online, 20(1).

 

Labbe, C., & Grandjean, D. (2014). Musical emotions predicted by feelings of entrainment. Music Perception: An Interdisciplinary Journal, 32(2), 170-185.

 

Benoit, C. E., Dalla Bella, S., Farrugia, N., Obrig, H., Mainka, S., & Kotz, S. A. (2014). Musically cued gait-training improves both perceptual and motor timing in Parkinson’s disease. Frontiers in human neuroscience, 8.

 

Bravi, R., Del Tongo, C., Cohen, E. J., Dalle Mura, G., Tognetti, A., & Minciacchi, D. (2014). Modulation of isochronous movements in a flexible environment: links between motion and auditory experience. Experimental brain research, 232(6), 1663-1675.

 

Tierney, A., & Kraus, N. (2013). The ability to move to a beat is linked to the consistency of neural responses to sound. The Journal of Neuroscience,33(38), 14981-14988.

 

Grahn, J. A., & Rowe, J. B. (2013). Finding and feeling the musical beat: striatal dissociations between detection and prediction of regularity. Cerebral cortex,23(4), 913-921.

 

Honing, H. (2013). Structure and interpretation of rhythm in music. The psychology of music, 369-404.

 

Kirke, A., & Miranda, E. R. (2013). An overview of computer systems for expressive music performance. In Guide to Computing for Expressive Music Performance (pp. 1-47). Springer London.

 

Swift, B. (2013). Chasing a feeling: Experience in computer supported jamming. In Music and human-computer interaction (pp. 85-99). Springer London.

 

Manning, F., & Schutz, M. (2013). “Moving to the beat” improves timing perception. Psychonomic bulletin & review, 20(6), 1133-1139.

 

Repp, B. H., & Su, Y. H. (2013). Sensorimotor synchronization: a review of recent research (2006?2012). Psychonomic bulletin & review, 20(3), 403-452.

 

Van Dyck, E., Moelants, D., Demey, M., Deweppe, A., Coussement, P., & Leman, M. (2013). The impact of the bass drum on human dance movement.Music Perception, 30(4), 349-359.

 

Burger, B., Saarikallio, S., Luck, G., Thompson, M. R., & Toiviainen, P. (2013). Relationships Between Perceived Emotions in Music and Music-induced Movement. Music Perception: An Interdisciplinary Journal, 30(5), 517-533.

 

Sievers, B., Polansky, L., Casey, M., & Wheatley, T. (2013). Music and movement share a dynamic structure that supports universal expressions of emotion. Proceedings of the National Academy of Sciences, 110(1), 70-75.

 

Kalender, B., Trehub, S. E., & Schellenberg, E. G. (2013). Cross-cultural differences in meter perception. Psychological research, 77(2), 196-203.

 

Kung, S. J., Chen, J. L., Zatorre, R. J., & Penhune, V. B. (2013). Interacting cortical and basal ganglia networks underlying finding and tapping to the musical beat. Journal of Cognitive Neuroscience, 25(3), 401-420.

 

Su, Y. H., & Pöppel, E. (2012). Body movement enhances the extraction of temporal structures in auditory sequences. Psychological research, 76(3), 373-382.

 

Nozaradan, S., Peretz, I., & Mouraux, A. (2012). Selective neuronal entrainment to the beat and meter embedded in a musical rhythm. The Journal of Neuroscience, 32(49), 17572-17581.

 

Honing, H. (2012). Without it no music: beat induction as a fundamental musical trait. Annals of the New York Academy of Sciences, 1252(1), 85-91.

 

Trost, W., Ethofer, T., Zentner, M., & Vuilleumier, P. (2012). Mapping aesthetic musical emotions in the brain. Cerebral Cortex, 22(12), 2769-2783.

 

Schaefer, R. S., Vlek, R. J., & Desain, P. (2011). Decomposing rhythm processing: electroencephalography of perceived and self-imposed rhythmic patterns. Psychological research, 75(2), 95-106.

 

Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature neuroscience, 14(2), 257-262.

 

Phillips-Silver, J., Toiviainen, P., Gosselin, N., Piché, O., Nozaradan, S., Palmer, C., & Peretz, I. (2011). Born to dance but beat deaf: a new form of congenital amusia. Neuropsychologia, 49(5), 961-969.

 

Berger, H. M. (2011). Metal, rock, and jazz: Perception and the phenomenology of musical experience. Wesleyan University Press.

 

van der Zwaag, M. D., Westerink, J. H., & van den Broek, E. L. (2011). Emotional and psychophysiological responses to tempo, mode, and percussiveness. Musicae Scientiae, 15(2), 250-269.

 

Naveda, L., Gouyon, F., Guedes, C., & Leman, M. (2011). Microtiming patterns and interactions with musical properties in samba music. Journal of New Music Research, 40(3), 225-238.

 

Moelants, D. (2011). The performance of notes in?gales: the influence of tempo, musical structure, and individual performance style on expressive timing. Music perception, 28, 449-460.

 

Keller, P. E., & Schubert, E. (2011). Cognitive and affective judgements of syncopated musical themes. Advances in cognitive psychology, 7(7), 142-156.

 

Nozaradan, S., Peretz, I., Missal, M., & Mouraux, A. (2011). Tagging the neuronal entrainment to beat and meter. The Journal of Neuroscience, 31(28), 10234-10240.

 

Sedlmeier, P., Weigelt, O., & Walther, E. (2011). Music is in the muscle: How embodied cognition may influence music preferences.

 

Krause, V., Pollok, B., & Schnitzler, A. (2010). Perception in action: the impact of sensory information on sensorimotor synchronization in musicians and non-musicians. Acta psychologica, 133(1), 28-37.

 

Kornysheva, K., von Cramon, D. Y., Jacobsen, T., & Schubotz, R. I. (2010). Tuning‐in to the beat: Aesthetic appreciation of musical rhythms correlates with a premotor activity boost. Human brain mapping, 31(1), 48-64.

 

Phillips-Silver, J., Aktipis, C. A., & Bryant, G. A. (2010). The ecology of entrainment: foundations of coordinated rhythmic movement. Music perception,28(1), 3.

 

Holland, S., Bouwer, A. J., Dalgelish, M., & Hurtig, T. M. (2010). Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit. In Proceedings of the fourth international conference on Tangible, embedded, and embodied interaction (pp. 21-28). ACM.

 

Zentner, M., & Eerola, T. (2010). Rhythmic engagement with music in infancy.Proceedings of the National Academy of Sciences, 107(13), 5768-5773.

 

Vuust, P., & Kringelbach, M. L. (2010). The pleasure of music. Pleasures of the Brain, 255-269.

 

Fujioka, T., Zendel, B. R., & Ross, B. (2010). Endogenous neuromagnetic activity for mental hierarchy of timing. The Journal of Neuroscience, 30(9), 3458-3466.

 

Toiviainen, P., Luck, G., & Thompson, M. R. (2010). Embodied meter: hierarchical eigenmodes in music-induced movement. Music perception.

 

Grahn, J. A., & Rowe, J. B. (2009). Feeling the beat: premotor and striatal interactions in musicians and nonmusicians during beat perception. The Journal of Neuroscience, 29(23), 7540-7548.

 

Johansson, M. (2010). Rhythm into style: studying assymmetrical grooves in Norwegian folk music.

 

Corriveau, K. H., & Goswami, U. (2009). Rhythmic motor entrainment in children with speech and language impairments: Tapping to the beat. Cortex,45(1), 119-130.

 

Patel, A. D., Iversen, J. R., Bregman, M. R., & Schulz, I. (2009). Studying synchronization to a musical beat in nonhuman animals. Annals of the New York Academy of Sciences, 1169(1), 459-469.

 

Winkler, I., Háden, G. P., Ladinig, O., Sziller, I., & Honing, H. (2009). Newborn infants detect the beat in music. Proceedings of the National Academy of Sciences, 106(7), 2468-2471.

 

Large, E. W. (2008). Resonating to musical rhythm: theory and experiment. The psychology of time, 189-232.

 

Chen, J. L., Penhune, V. B., & Zatorre, R. J. (2008). Moving on time: brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training. Journal of Cognitive Neuroscience, 20(2), 226-239.

 

Khalfa, S., Roy, M., Rainville, P., Dalla Bella, S., & Peretz, I. (2008). Role of tempo entrainment in psychophysiological differentiation of happy and sad music?. International Journal of Psychophysiology, 68(1), 17-26.

 

Volk, A. (2008). The study of syncopation using inner metric analysis: Linking theoretical and experimental analysis of metre in music. Journal of New Music Research, 37(4), 259-273.

 

Phillips-Silver, J., & Trainor, L. J. (2007). Hearing what the body feels: Auditory encoding of rhythmic movement. Cognition, 105(3), 533-546.

 

Styns, F., van Noorden, L., Moelants, D., & Leman, M. (2007). Walking on music. Human movement science, 26(5), 769-785.

 

Grahn, J. A., & Brett, M. (2007). Rhythm and beat perception in motor areas of the brain. Journal of Cognitive Neuroscience, 19(5), 893-906.

 

Fitch, W. T., & Rosenfeld, A. J. (2007). Perception and production of syncopated rhythms. Music Perception: An Interdisciplinary Journal, 25(1), 43-58.

 

Huron, D., & Ommen, A. (2006). An empirical study of syncopation in American popular music, 1890?1939. Music Theory Spectrum, 28(2), 211-231.

 

Danielsen, A. (2006). Presence and pleasure: The funk grooves of James Brown and Parliament. Wesleyan University Press.

 

Bispham, J. (2006). Rhythm in music: What is it? who has it? and why?. Music Perception: An Interdisciplinary Journal, 24(2), 125-134.

 

Dixon, S., Goebl, W., & Cambouropoulos, E. (2006). Perceptual smoothness of tempo in expressively performed music.

Benadon, F. (2006). Slicing the beat: Jazz eighth-notes as expressive microrhythm. Ethnomusicology, 73-98.

 

Wright, M., & Berdahl, E. (2006, November). Towards machine learning of expressive microtiming in Brazilian drumming. In International Computer Music Conference.

 

Eitan, Zohar, and Roni Y. Granot. "How music moves." (2006): 221-248.

 

Patel, A. D., Iversen, J. R., Chen, Y., & Repp, B. H. (2005). The influence of metricality and modality on synchronization with a beat. Experimental Brain Research, 163(2), 226-238.

 

Clayton, M., Sager, R., & Will, U. (2005). In time with the music: The concept of entrainment and its significance for ethnomusicology. In European meetings in ethnomusicology (Vol. 11, pp. 3-142).

 

Gouyon, F., & Dixon, S. (2005). A review of automatic rhythm description systems. Computer music journal, 29(1), 34-54.

 

Longuet-Higgins, H. C., & Lee, C. S. (1984). The rhythmic interpretation of monophonic music. Music Perception, 424-441.

 

MacDougall, H. G., & Moore, S. T. (2005). Marching to the beat of the same drummer: the spontaneous tempo of human locomotion. Journal of applied physiology, 99(3), 1164-1173.

 

Phillips-Silver, J., & Trainor, L. J. (2005). Feeling the beat: movement influences infant rhythm perception. Science, 308(5727), 1430-1430.

 

Widmer, G., & Goebl, W. (2004). Computational models of expressive music performance: The state of the art. Journal of New Music Research, 33(3), 203-216.

 

Poli, G. D. (2004). Methodologies for expressiveness modelling of and for music performance. Journal of New Music Research, 33(3), 189-202.

 

Hannon, E. E., Snyder, J. S., Eerola, T., & Krumhansl, C. L. (2004). The role of melodic and temporal cues in perceiving musical meter. Journal of Experimental Psychology: Human Perception and Performance, 30(5), 956-974.

 

Janata, P., & Grafton, S. T. (2003). Swinging in the brain: shared neural substrates for behaviors related to sequencing and music. Nature neuroscience, 6(7), 682-687.

 

McAuley, J. D., & Jones, M. R. (2003). Modeling effects of rhythmic context on perceived duration: a comparison of interval and entrainment approaches to short-interval timing. Journal of Experimental Psychology: Human Perception and Performance, 29(6), 1102.

 

Gouyon, F., Fabig, L., & Bonada, J. (2003). Rhythmic expressiveness transformations of audio recordings: swing modifications. In Proc. Digital Audio Effects Workshop (DAFx).

 

Pressing, J. (2002). Black Atlantic rhythm: Its computational and transcultural foundations. Music Perception, 19(3), 285-310.

 

Ashley, R. (2002). Do [n't] change a hair for me: The art of jazz rubato. Music Perception, 19(3), 311-332.

 

Collier, G. L., & Collier, J. L. (2002). A study of timing in two Louis Armstrong solos. Music Perception, 19(3), 463-483.

 

Busse, W. G. (2002). Toward objective measurement and evaluation of jazz piano performance via MIDI-based groove quantize templates. Music Perception, 19(3), 443-461.

 

Moelants, D. (2002). Preferred tempo reconsidered. In Proceedings of the 7th international conference on music perception and cognition (pp. 580-583).

 

Greenwald, J. (2002). Hip-hop drumming: The rhyme may define, but the groove makes you move. Black Music Research Journal, 259-271.

 

Large, E. W., & Palmer, C. (2002). Perceiving temporal regularity in music. Cognitive Science, 26(1), 1-37.

 

Dixon, S. (2001). Automatic extraction of tempo and beat from expressive performances. Journal of New Music Research, 30(1), 39-58.

 

Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 25(3), 50-61.

 

Krumhansl, C. L. (2000). Rhythm and pitch in music cognition. Psychological bulletin, 126(1), 159.

 

Dahl, S. (2000). The Playing of an Accent–Preliminary Observations from Temporal and Kinematic Analysis of Percussionists*. Journal of New Music Research, 29(3), 225-233.

 

Temperley, D. (1999). Syncopation in rock: a perceptual perspective. Popular Music, 18(01), 19-40.

 

Clarke, E. F. (1999). Rhythm and timing in music. The psychology of music, 2, 473-500.

 

Friberg, A., & Sundberg, J. (1999). Does music performance allude to locomotion? A model of final ritardandi derived from measurements of stopping runners. The Journal of the Acoustical Society of America, 105(3), 1469-1484.

 

van Noorden, L., & Moelants, D. (1999). Resonance in the perception of musical pulse. Journal of New Music Research, 28(1), 43-66.

 

Repp, B. H. (1999). Detecting deviations from metronomic timing in music: Effects of perceptual structure on the mental timekeeper. Perception & Psychophysics, 61(3), 529-548.

 

Washburne, C. (1998). Play It" Con Filin!": The Swing and Expression of Salsa. Latin American music review, 160-185.

 

Scheirer, E. D. (1998). Tempo and beat analysis of acoustic musical signals. The Journal of the Acoustical Society of

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Tekman, H. G. (1997). Interactions of perceived intensity, duration, and pitch in pure tone sequences. Music Perception, 281-294.

 

Repp, B. H. (1996). Patterns of note onset asynchronies in expressive piano performance. The Journal of the Acoustical Society of America, 100(6), 3917-3932.

 

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Parncutt, R. (1994). A perceptual model of pulse salience and metrical accent in musical rhythms. Music perception, 409-464.

 

Desain, P., & Honing, H. (1994). Does expressive timing in music performance scale proportionally with tempo?.

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Collier, G. L., & Collier, J. L. (1994). An exploration of the use of tempo in jazz. Music Perception, 219-242.

 

Large, E. W., & Kolen, J. F. (1994). Resonance and the perception of musical meter. Connection science, 6(2-3), 177-208.

 

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